-G. K. Chesterton, "A Somewhat Improbable Story"
(To be worked on till it's better)
It rules my life, this timeless thing,It sits above, mutely saying
When I should work, when I am done,
As numbered lists, they come and come.
It shows a different face; to you
It's white or grey or green or blue.
Here mine glows red, clear-cut, defined,
Or there, on screen, black shapes mime time.
The marks that sit upon its face,
They change until I am released;
I watch, and watch, and glance, and check,
"How much is left?" "Am I done yet?"
All that you do, do for Him
Who made all things, including time.
The weeks flash by; it's Friday already? But yesterday was Monday or the day before that...the weeks disappear, and the months quickly follow.
It's the minutes that crawl haltingly by as I'm working, sometimes stopping altogether when I'm doing nothing - though they run too quickly to catch sight of when I'm home.
The boundaries times creates are hard, and only broken with consequences; in bed at 9:30, break time of 15 minutes, half-hour lunches, 8 hours of work. The clock relentlessly ticks forward, or changes its numbers with strict and precise regularity. 24 hours (or 12), 60 minutes, 60 seconds.
Why am I so bound by time? yet before this life (of work and homework) I was bound by deadlines, as immovable (most times) as the hands of clock ticking off work hours.
I, immortal spirit, prone to laziness, self-glorification, contemplation of beauty, curiosity, and activity, am bound by arbitrary markings men created to measure a concept of God's. I do not rebel against, understand (hardly at all), only marvel at it. What would we be if not bound by man's markings of time? Much lazier (at least in my case), but I wonder if I would see more, if I was not so focused on whatever this clearly cut-out block of time is appointed to?
I edited the poem, and this is what I worked on:
It rules my life, a timeless device,
It sits overhead, commands mutely precise—
Now I should work, now I clock in,
Dictating deadlines, forms to begin.
Its faces so diverse; to you
It's white or grey, green or blue.
Here mine glows red, clear shapes, defined,
Or there, on screen, black forms mime time.
The marks that sit upon its face,
They change until I am released;
I watch, and watch, and glance, and check,
"How much is left?" "Am I done yet?"
I walk outside, breath a sigh,
All time’s authority withers and dies
Till tomorrow, I am free—
But no, time rules; doubly
Precious are the minutes now
Till time again tolls toil’s tedious hour.